City Sounds @ City Lab
WPI has initiated a series of projects intended to
document sounds that characterize cities from around the world. The first such project entitled “The Sounds
of Venice” was completed in the summer of 2003 and it encompassed the
identification, recording and documentation of over 150 indigenous Venetian
sounds. The goal is to make available
the sounds to interested scholars, artists and sound professionals and to
invite musicians to create original compositions that will incorporate these
sounds into original scores. The overall
aim is to eventually collect and disseminate sounds from all of the cities
where WPI operates project centers.
This multi-year interdisciplinary initiative will provide
many opportunities for WPI students to complete their Sufficiencies,
IQPs, MQPs, as well as ISPs
both on and off campus.
Several IQPs,
MQPs and Sufficiencies will
be dedicated to furthering the overarching project. Specific target locales will also be
addressed on a case-by-case basis with specific on- or off-campus projects.
This was the first site-specific application of the
overarching concept. The pioneering
project in Venice took place in the summer of 2003. Two sufficiencies
have followed. Connected to this initiative
is the concurrent work on the sonification
of tides in
After
In term D05 a team at the Boston
Project Center will capture the Sounds of Boston and will help further some
of the overarching aims of the initiative.
There may be a collaboration with
As part of the preparatory practice sessions of any
project, we will continue to accumulate sounds of
Eventually, we plan to conduct our city sounds projects
at all of the project centers that are part of the WPI
Global Perspectives Program, so we will probably have “The Sounds of Bangkok”,
“The Sounds pf Copenhagen”,
“The Sounds of Melbourne”
and many others.
W are exploring ways to elicit
submissions of sound samples (MP3) as potential candidates for inclusion in the
“Sounds of” collection for a particular town.
A self-regulating system of feedback will make the more characteristic
sounds emerge from all the submissions.
Models are ”yellow arrow” and other
self-organizing street information systems.